[ad_1]
Khoury’s upbringing in a home alive with literature, music and theatre, alongside her father, the acclaimed actor Makram Khoury and an art teacher mother, shaped her imagination and her entire cultural world. “I grew up surrounded by extraordinary people – writers, poets like Mahmoud Darwish and Samih al-Qasim, actors such as Mohammad Bakri and Salim Daw, painters and dreamers. It was a magical, vibrant time, full of life and possibility,” she reveals. From her father, Khoury learned humility above all. “He taught me never to differentiate between people in terms of religion, race or colour. To him, all humans are equal, and that truth has guided me in life and in art,” she reflects. “As an actor, his greatest lesson was simple but profound: never say a line unless you feel it. Every word must come from your eyes, your heart, your truth. That is how I try to live every role, fully present, fully honest and always grounded in humanity,” Khoury adds.
Reflecting on her career, she recalls her breakthrough in Hany Abu-Assad’s Rana’s Wedding, which opened at Cannes in 2002. That early experience, followed by theatre and television, shaped her perspective and added different dimensions to her craft. “Each project, whether I was proud of it, challenged by it or even disappointed by it, has been part of my evolution as an artist. I believe that failure and difficulty are as essential as success. The projects that challenged me taught me just as much, if not more than the ones that gave me joy,” she says. Today, the actress seeks characters who challenge her to dig deeper and speak to her in unexpected ways. She looks for women who are complex, layered and free of stereotypes, especially Arab women, “because we are not simply survivors; we are powerful, imaginative, wise and full of life. My mission is to honour that truth on screen.”
Across languages and cultures, Khoury chooses her roles with her heart. “A project has to move me, whether…
[ad_2]
Source link
