Ramadan is on the horizon, and this season, regional designers are bringing a fresh, dynamic energy to the table—one that’s deeply rooted in tradition yet resolutely modern. Narratives, woven with history, culture, and a bold sense of self. Imagine kaftans with clean lines, embroidery in graphic intricacy, and a palette that swaps the expected soft neutrals for rich, punchy hues—pomegranate, saffron, vibrant verdant green.
It’s the kind of fashion that celebrates heritage and reinvents it too, but on its own terms. A playful twist here, a nuanced sense of cool there. Glamour, with a fresh attitude. This Ramadan, it’s about wearing something that feels alive—vibrant, textured, and full of intention. Because tradition isn’t static; it evolves. And this season, it’s thriving.
Sarah’s Bag
Chances are, you’re already familiar with Sarah’s Bag. If not, where have you been? Here’s a quick synopsis, Sarah Beydoun – entrepreneur, designer and all-round positive energy booster, creates dainty purses utilizing local Lebanese craftsmanship, many of whom are women facing time in prison. Wait, it’s not as dire as it seems. Sarah’s Bag trains, mentors and nurtures underprivileged women, up-skilling them for employment, helping to grow and develop local artisanship along the way. Basically, bags that make a difference.
For Ramadan, the brand unveils Ward, flower in Arabic, a collection inspired by the proverb: “If you see a flower in your dream, know that the garden is near,” symbolising hope, beauty and renewal. As if that wasn’t enough to lure you in. The collection itself is a song of statement abayas and capes in sumptuous fabrics, with intricate, graphic embroidery, crushingly beautiful beadwork, and their signature evening bags, minaudières, clutches, and wristelets elevated to full bloom.
Our favourite pick: the Grand Magnolia Flower Flapper bag captured our whimsy.
Onori
Sharifa AlHashemi does it again, delivering a Ramadan edit that’s as cheeky…
